Doctor of Philosophy, The Ohio State University, 2013, Theatre
Abstract
Improbable, a London based, international theatre company, after having achieved over a decade of critical acclaim found themselves in an excellent position in the industry to serve the theatre community. Through what the company terms `eldership,' the company has stepped back and placed more and more of their energy helping others, particularly young and emerging artists. Beginning with creating mentoring programs, and evolving into studying, training, and developing alternative leadership methods, the theatre company created a theatre conference like no other. Borrowing heavily from the Open Space Technology principles of Harrison Owen and the influence of Process Work and World Work pioneered by Arnold Mindell, Improbable created the Devoted & Disgruntled conferences.
The Devoted & Disgruntled conferences have worked so well for Improbable because they mirror the ways that the company works when creating their devised performances. Like the company's work, the Devoted & Disgruntled conferences are a collaborative endeavor. There are no invited speakers, the conference agenda is not preplanned, but is developed by those attending during the initial hour of the event in a collaborative process where all of the participants are empowered to take charge of issues and concerns they feel passionate about, opening dialogues, pooling resources and knowledge, and seeking actionable plans and solutions. This participant-created conference of self-managed sessions (including discussion groups, experiential workshops, ideas sessions, and planning meetings) are all related to a central question of strategic importance: “What are we going to do about theatre and the performing arts?” Devoted & Disgruntled allows diverse, and often very large, groups of people to get together, discuss issues of heartfelt concern, share ideas, pool their knowledge and develop plans for collaborative action. There are no invited speakers, and just one facilitator to explain the pr (open full item for complete abstract)
Committee: Lesley Ferris PHD (Advisor); Beth Kattelman PHD (Committee Member); Joy Reilly PHD (Committee Member); Clayton Funk PHD (Committee Member)
Subjects: Theater; Theater History; Theater Studies