Master of Arts, The Ohio State University, 2016, East Asian Languages and Literatures
This thesis analyzes the heterogeneous works of Bian Zhilin (1910-2000), a famous modern Chinese poet, during 1937-1958, a relatively understudied period of his career in the extant scholarship. In particular, I focus on his wartime poetry in the poetry collection Letters of Comfort (Weilaoxin ji), his wartime novel Mountains and Rivers (Shanshan shuishui), and his decision to burn the manuscript of the latter in the 1950s. In reading these texts closely, particularly the novel, within their literary and historical contexts, I demonstrate that this period is crucial in Bian Zhilin's career as it bridges his prewar life and his post-1949 acclimation to the new socialist regime. More specific, I argue that the change and un-change paradox/dialectic, or the collision and collusion of maintaining inner autonomy and participating in historical transformation, underlie all of Bian's works in the wartime. It is first shown in his Yan'an poetry, then fully manifested in the novel Mountains and Rivers, and further demonstrated in his post-1949 literary pursuits. To reconcile the inner and outer orientations of self, Bian constructs a notion of “spiral movement,” which again plays with the dialectic of change and un-change, to restore the traditional harmony of self. An overview of Bian's career and life since the war demonstrates that “spiral movement” acts not only as an instruction for Bian to write the novel, but also as his schematization of the world and a guiding principle of his life.
In so doing, I try to overthrow the commonly-held label of Bian Zhilin as merely a poet in current scholarship and reveal his multifaceted persona. I also argue against the popular view that the incomplete novel Mountains and Rivers was a waste of Bian Zhilin's creative energy and a disruption in his poetic career, and unravel the complicated aesthetics, thought, and character of Bian manifested in the novel. Furthermore, through studying the case of Bian Zhilin, I discuss some large (open full item for complete abstract)
Committee: Kirk Denton (Advisor); Meow Hui Goh (Committee Member)
Subjects: Asian Literature; Literature; Modern Literature