Doctor of Philosophy, The Ohio State University, 2004, Theatre
As technology is altering the world, electronic games are changing the face of popular entertainment, infecting spectators with a craving for spectacle and interaction. Games allow viewers to become active participants in dramatic narrative, transforming audience into performer. The game player is joining in a mediatized theatrical experience that reshapes notions of performance, theatre, and audience. The first theatre scholar to connect theatre, computers, and performance was Brenda Laurel. Speculating on the nature of user interaction with the computer, Laurel used the Aristotelian elements of dramatic structure to create a new poetics for interactive fantasy generated in the computer realm. Since Laurel's initial work in 1986, games have evolved beyond those of her pioneering study, creating a level of theatrical experience worthy of critical examination. The games from the late 1990's and into the current century show a level of complexity in design and narrative that compels a re-examination of what has been dismissed by many as escapist entertainment. The electronic game industry has adopted theatrical devices and principles to produce a live, non-repeatable, and new form of theatrical experience. My research draws from traditional theatre theorists (such as Aristotle, Bertolt Brecht, Adolphe Appia, and Augusto Boal), modern theatre and performance theorists (such as Brenda Laurel, Janet Murray, Gay McAuley, and Richard Schechner), and game design theorists (such as Steven Poole, Bob Bates, and Richard Rouse), to assess the electronic game as a new and distinctive form of performance. This dissertation will examine a variety of computer and video games from five perspectives: 1) space 2) plot structures, 3) character, 4) theme, and 5) interactivity, with a view to articulating the modes of kinship between games and live performance. In recognizing and articulating such relationships, both gaming and theatre benefit, strengthening the aesthetic and structural (open full item for complete abstract)
Committee: Lesley Ferris (Advisor)
Subjects: Theater