Master of Arts, Miami University, 2022, English
This thesis explores the epistemic injustices Hmong Americans have suffered within Western medicine in the late twentieth and early twenty-first century. In contrast to medical and academic discourses, which blame “cross-cultural differences” as the cause for these health disparities, I contend Western medicine and society dismiss Hmong individuals' knowledge and experiences, which is particularly damaging to them as survivors of genocide, forced migration, and racial oppression. In the early twenty-first century, American hospitals attempted to improve their treatment of Hmong patients by designing “cross-cultural” trainings for shamans and physicians. Although these trainings aspired to welcome shamans into hospitals, they were not an example of cross-cultural exchange and instead prioritized Western practices, ignoring the curative value of shaman rituals. I analyze memoirs, ethnographies, and research materials from the Hmong Archives in St. Paul, Minnesota, to consider how shaman performances and behaviors redress epistemic injustices by acknowledging Hmong suffering, remembering communal losses, and resisting the scriptocentric expectations of Western medicine. With this interdisciplinary project, I investigate the synergies and tensions between Hmong literature, performance studies, and the medical humanities. My primary aim is to speak beside Hmong Americans and recognize how their practices provide a crucial method for countering medical inequality.
Committee: Katie Johnson Dr. (Committee Chair); Cynthia Klestinec Dr. (Committee Member); Andrew Hebard Dr. (Committee Member)
Subjects: American Literature; Asian Literature; Health Care; Medical Ethics; Performing Arts; South Asian Studies