Doctor of Philosophy, The Ohio State University, 2018, Dance Studies
“Ethnic and Racial Formation on the Concert Stage: A Comparative Analysis of Tap Dance and Appalachian Step Dance” is a revisionist project that explores the shared aesthetics and historical trajectories of these two percussive dance practices, which have ultimately developed into two distinct forms of dance. This dissertation investigates the choreographic and representational strategies choreographers use to transfer the histories and legacies of tap dance and Appalachian step dance to the stage, namely through a process I call concertization. In each analysis, I pay particular attention to representations of the complex ethnic and racial identities affiliated with each form and ways concertization highlights or obscures such affiliations. Additionally, I aim to understand the relationship between the practices of tap dance and Appalachian step dance and what I see as a contested idea of “America” as it is represented through choreography. My analyses suggest the migration of rhythm tap dance and Appalachian step dance from vernacular and social contexts to the concert stage is in tension with the ways these dance forms, as vernacular practices, also engage in the consolidation of ethnic and racial identities. As a result, concertized versions of tap dance and Appalachian step dance may inadvertently whitewash the racial projects of dancing in-situ in favor of presenting a unified vision of America. One strategy dance artists engage to disrupt whitewashed representational hegemony in concert dance contexts is to reassert the ethnic and racial affiliations of these dance forms specifically by making what I call their “dancestry” visible through their choreography and improvisation.
To undertake this investigation, I employ parallel analytical frameworks, which enable me to address the physical movement legacies of the practices within their social, cultural, and historical contexts. Examining what I call aesthetic philosophies, localized values, and dancestry, (open full item for complete abstract)
Committee: Harmony Bench (Committee Chair); Melanye White Dixon (Committee Member); Kwaku Larbi Korang (Committee Member); Hannah Kosstrin (Committee Member)
Subjects: African American Studies; American Studies; Comparative; Dance; Ethnic Studies; Fine Arts; Folklore; History; Performing Arts