Master of Fine Arts, The Ohio State University, 2021, Art
In work that engages the uncanny and sublime psychological resonance of small and miniature objects the miniature stands in for culture and has the power, in its remove, to illuminate intimate facets of the individual as well as society. Orienting my sculpture within the historical frameworks of found objects (i.e., mourning jewelry, prosthetic glass eyes, and miniature dollhouse American Windsor chairs), I collect, sculpt by hand, and recreate with molds.
Alchemical constructions made with the amorphous materials of glass, wax, and plaster create surreal encounters with objects. The relationships between strength and fragility, stability and instability, permanence and ephemerality mirror the contradictions and complexities of human psychology and inspire how the qualities of materials and processes combine in my practice. Presenting tender, vulnerable, and visceral moments, my work contemplates the beautiful tenuous tragedy that is human experience.
The following chapters present works created between 2018–2021 with quotes from authors whose words have inspired my research and give context to my thinking. (In)visible, (Im)permanent, and Other Paradoxes places my visual art practice in relation to science, history, culture, and the material thinking culminating in my exhibition at Urban Arts Space at The Ohio State University.
Committee: Carmen Winant (Advisor); Ann Hamilton (Committee Member); Richard Harned (Committee Member)
Subjects: Fine Arts