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  • 1. Mariani, Jarod Finding Hope at the Arena: A Performance Studies Approach to Sport

    Doctor of Philosophy (Ph.D.), Bowling Green State University, 2024, Theatre

    Over the past decade, especially in the United States, there has been a significant increase in what has commonly come to be known as athlete activism. Examples of this phenomenon include such moments as Colin Kaepernick's anthem protest in the National Football League (NFL) and the campaign for pay equality undertaken by the United States Women's National Team (USWNT). Though these examples, and many others like them, have affected important and tangible social change, there are many in the United States who claim that the practice of sport activism only serves to unnecessarily politicize the realm of sport. Opponents of sport activism often argue that sport should be kept separated from more serious matters such as pressing social and political issues. However, this argument is predicated on the assumption that sport is inherently apolitical or that it somehow exists independently of societal structures, which is demonstrably false. In “Finding Hope at the Arena: A Performance Studies Approach to Sport,” I make use of performance studies frameworks to investigate sport as a meaning-making mode of live performance with utopian potentiality. Using performance scholar Jill Dolan's theorization of the utopian performative as a theoretical framework, I examine several key moments and eras in United States sport history to interrogate the notion that sport is, or ever has been, separate from social and political issues. Through archival and performance analysis methods of research, I interrogate the ways in which sport, as a genre of live performance, produces myriad utopian visions of the country that often serve to uphold or critique the dominant social order. Moreover, I imagine this study as a step towards what I call a model of utopian sport spectatorship. Utopian sport spectatorship facilitates a form of engagement with sport similar to that of a theatrical production. In this model of spectatorship, participants, both those involved in the aspects of athletic c (open full item for complete abstract)

    Committee: Angela Ahlgren (Committee Chair); Heidi Nees (Committee Member); Jonathan Chambers (Committee Member); Amilcar Challu (Committee Member) Subjects: American History; Performing Arts; Social Structure; Sociology; Theater