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  • 1. Panowski, James A Production Study of Henrik Iben's "Brand"

    Master of Arts (MA), Bowling Green State University, 1963, Theatre

    Committee: Harold B. Obee (Advisor) Subjects: Theater
  • 2. Dent, Shirley A Critical Comparison of Old and New Translations of Selected Realistic Plays of Ibsen

    Master of Arts (MA), Bowling Green State University, 1959, Theatre

    Committee: Harold B. Obee (Advisor) Subjects: Theater
  • 3. Morris, Stanley An Adaptation of "A Doll's House" for Television Production

    Master of Arts (MA), Bowling Green State University, 1955, Media and Communication

    Committee: Elden T. Smith (Advisor) Subjects: Literature; Mass Communications
  • 4. Dent, Shirley A Critical Comparison of Old and New Translations of Selected Realistic Plays of Ibsen

    Master of Arts (MA), Bowling Green State University, 1959, Theatre

    Committee: Harold B. Obee (Advisor) Subjects: Theater
  • 5. Morris, Stanley An Adaptation of "A Doll's House" for Television Production

    Master of Arts (MA), Bowling Green State University, 1955, Media and Communication

    Committee: Elden T. Smith (Advisor) Subjects: Literature; Mass Communications
  • 6. Quinlan, Joshua Reduce, Reuse, Recycle – Research: Sustainable Scene Design for a Production of Henrik Ibsen's An Enemy Of The People

    Master of Fine Arts, The Ohio State University, 2016, Theatre

    Theatre is a liminal environment between performers and a live audience, and between the past, present and future. Theatre practitioners often bring to life old scripts that have graced the stage many times while highlighting the relevance of key themes and motifs in relation to a modern audience. The work of playwright Henrik Ibsen is produced worldwide because of its modern subjects, despite having been written in the late nineteenth century.Under the direction of Lesley Ferris, I designed the scenic environment for Rebecca Lenkiewicz's version of Henrik Ibsen's An Enemy of the People at The Ohio State University. I used a combination of sketches, digital modelling, and a physical white model to communicate my scenic design. By way of reducing, reusing, and recycling, I executed a sustainable scenic environment that complimented the themes of environmental awareness within the play without compromising the aesthetic of the design.

    Committee: Brad Steinmetz M.F.A. (Advisor); Mary Tarantino M.F.A (Committee Member); Lesley Ferris PhD (Committee Member) Subjects: Architectural; Architecture; Art History; Design; Environmental Education; Environmental Health; Environmental Management; Environmental Studies; Fine Arts; Gender; Gender Studies; Performing Arts; Scandinavian Studies; Theater; Theater History; Theater Studies; Womens Studies