Doctor of Philosophy, The Ohio State University, 2016, Comparative Studies
Contributing to Victorian novel studies, literary theory, and gender studies, this dissertation studies individual indebtedness and speculation as testing-grounds of the management of the self, highlighting the role of novelistic narrative in the attendant subjective experiences and practices. Its central conclusion is that self-government in the credit economy takes the form of a uniquely temporal sensibility or form which is here named “diachronic binding.” Diachronic binding, as is shown, consists of a continuous motion between speculation and austerity, where the violence and disciplining of the latter often takes on particularly gendered expressions. In the Introduction, the historical-comparative dimensions of the project are discussed and its contours charted through a reading of Dante Gabriel Rossetti's painting Found. Following Chapter 1, which is devoted to outlining the theoretical basis of the argument concerning time, gender, and the credit economy, Chapter 2 opens on to an engagement with the Victorian novel, starting with an analysis of the figure of what is here called the “rootless woman.” Living in a state of constant suspense and flight, is is considered how Becky Sharp of Vanity Fair personifies the haunting presence of an irreducibly unpaid quantitative gap at the heart of capitalist value production. The rootless woman, it is concluded, simultaneously stages the general fear of failing to profitably engage temporal market forms and the desire to exclusively associate women with these failures so as to rhetorically legitimate their exclusion from the market and subjection to domestic patriarchy. The analysis of George Eliot's Daniel Deronda, in Chapter 3, continues to consider the unevenly gendered enactments of value. In contrast to Daniel's successful engagement of the binding dynamic between future speculation and past validation, it is considered how Gwendolen is set up to fail in her motion from speculation to austerity. The `Hermione' epis (open full item for complete abstract)
Committee: Eugene Holland (Committee Chair); Philip Armstrong (Committee Member); Jill Galvan (Committee Member); Ethan Knapp (Committee Member); Katherine Hayles (Committee Member); Gudni Elisson (Committee Member)
Subjects: British and Irish Literature; Comparative Literature; Gender Studies; Icelandic and Scandinavian Literature; Literature; Modern Literature; Social Research