Bachelor of Science in Education, Ashland University, 2021, Teacher Education

Many contemporary researchers and educators agree on the need to implement social-emotional learning (SEL) in modern public education to teach necessary life skills not usually covered in academic instruction. Typically SEL instruction has focused on primary-level students, but research shows that middle and high school students also benefit from SEL instruction in a very meaningful way during the critical period of development these students experience during adolescence. The field of English Language Arts in itself is a venue for straightforward SEL instruction. Many English Language Arts teachers are already implementing SEL into their curriculum, whether intentionally or unintentionally. The very nature of the field of literature and the study of it embodies SEL as readers vicariously observe and empathize with the experiences of fictional characters. This characteristic of the field creates a unique pathway to SEL instruction through the use of literature that allows for straightforward intercurricular implementation, requiring few changes to the existing curriculum. Included in this document is a curriculum guide for high school English Language Arts teachers to implement SEL into their existing academic curriculum, based on the Ohio Department of Education's new K-12 SEL Standards.

Committee: Hilary Donatini Dr. (Advisor); Terri Jewett Dr. (Advisor) Subjects: Education; Educational Theory; Language Arts

Doctor of Musical Arts, The Ohio State University, 2020, Music

The Doctor of Musical Arts (DMA) degree has been the terminal degree in music performance, composition, and conducting in North America since the early 1950s. Originally met with criticism, some of which continues to this day, the DMA continues to serve as the gateway for applied music-makers that wish to join the academy. This document investigates and echoes these criticisms surrounding the necessity and design of the DMA in Voice Performance, while submitting new criticisms based in curriculum theory, learning science (pedagogy), and educational psychology. A comparative look at DMA in Voice Performance programs at 57 American universities and conservatories provides context and inspiration for a much-needed consensus on the desired outcomes of this terminal degree in singing. This document responds to this need by proposing a new, revised, and ideal course of study that encourages the singing community to reconsider the limitless possibilities that exist for artist-teachers in the pursuit of a DMA. In so doing, it serves as a mindful guide that institutions may use to tailor their doctoral programs to their strengths, while following best practices that uplift, validate, and ensure the existence of such a degree.

Committee: Scott McCoy DMA (Advisor); Edward Bak MM (Committee Member); Christin Ray PhD (Committee Member); Loretta Robinson MM (Committee Member) Subjects: Curricula; Curriculum Development; Education; Educational Psychology; Higher Education; Higher Education Administration; Music; Music Education; Pedagogy; Performing Arts; Teacher Education; Teaching