Doctor of Philosophy (PhD), Ohio University, 2024, Mass Communication (Communication)
This dissertation engages in an exploration of the intricate discourse surrounding the
casting decisions in Black history films. The study addresses the perspectives of two
pivotal demographic groups, namely African Americans and African immigrants,
unraveling the multifaceted perspectives and overarching implications associated with
casting choices in the realm of Black cinema.
The theoretical framework for this research is rooted in the interdisciplinary and
multifaceted domain of cultural studies, which facilitates a comprehensive exploration of
the intricate intersections among film casting, race, identity, representation, and reception
scholarship. Employing a mixed-method research design, the study integrates paratextual
analysis, qualitative interviews, and focus group discussions, collectively capturing a
diverse range of perspectives held by both African Americans and African immigrants.
This methodological approach effectively illuminates how participants seamlessly
integrate their unique lived experiences and cultural backgrounds when assessing casting
decisions for historical roles, contributing to a nuanced and holistic understanding of their
viewpoints.
The analysis of the collected data has unveiled compelling thematic insights that provide
a comprehensive understanding of the intricate dynamics within the context of casting
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choices in Black history films. These themes, including Diverse Conceptions of
Blackness, Historical Perspectives of Actors on Blackness and Black Issues in the
American Context, Challenges and Perceived Displacement, Unpacking Distorted
Depictions of African American History, Gaps in Diversity within Black Narratives and
Investment in Emerging African American Talent, Commercial Dimensions of Casting,
and African-history Movies Produced in the United States as American Productions,
collectively illuminate the interplay of representation, identity, and economic
considerations within the film industry. A (open full item for complete abstract)
Committee: Steve Howard (Committee Chair); Eve Ng (Committee Member); Webster Smith (Other); Jatin Srivastava (Committee Member); Taylor Kirsten (Committee Member)
Subjects: African American Studies; Black Studies; Ethnic Studies; Film Studies; Mass Media