Doctor of Philosophy (Ph.D.), Bowling Green State University, 2024, Media and Communication
While scholars from a wide range of disciplines have analyzed thematic development, iconography, narrative, characterization, and animation style of Japanese anime, the music of anime programs is largely ignored or trivialized. This dissertation fills the gap in critical intercultural communication and media studies research by examining original anime soundtracks and their roles as narrative devices. Anime is explored as a site of global cultural resistance, while maintaining articulations of gender and cultural ideals in their stories and reflected in the lyrics of their theme songs.
Employing critical intercultural communication, critical media studies, Affect Theory, with textual analysis and rhetorical criticism, this dissertation analyzes how music is intrinsic to the narrative and an expression of cultural values in anime. Analysis focuses on Hibike! Euphonium (2015-present) by Tatsuya Ishihara and Naoko Yamada, from the studio of Kyoto Animation, a slice-of-life drama involving the coming-of-age stories of high schoolers in a competitive concert band, and Vivi -Furoraito Aizu Songu- (2021) by Tappei Nagatsuki and Eiji Umehara, produced by Wit Studio, which follows an autonomous Artificial Intelligence (AI) programmed to entertain humans with her voice, and who discovers her humanity through music while trying to save the world from destruction. Each anime illustrates how musical scores, lyrics, and instrumentation are incorporated into narratives of gender, agency, culture, and humanity. The dissertation also analyzes compositional style, structure, instrumentation, and lyrics encoded with hegemonic messages and constructions of gendered, raced, and cultural distinctions. It provides a critical analysis of how music is used as a narrative tool in media and communication studies involving anime and how the rhetorical messages encoded in texts, via lyrics and instrumentation, are forms of intercultural communication of Japanese anime viewed by a Western aud (open full item for complete abstract)
Committee: Lara Lengel Ph.D. (Committee Chair); Alberto González Ph.D. (Committee Member); Radhika Gajjala Ph.D. (Committee Member); Wendy Watson Ph.D. (Other)
Subjects: American Studies; Asian Studies; Communication; Film Studies; Gender; Gender Studies; Mass Communications; Mass Media; Music; Rhetoric