MARCH, University of Cincinnati, 2012, Design, Architecture, Art and Planning: Architecture
Over the past four decades, airports have been reduced to uninspired, highly sterile and locally irrelevant people processing machines, which helped create the jaded, unengaged mentality of today's air traveler. This thesis proposes a new small satellite passenger terminal as a study of experience in architecture, and investigates how design can rekindle the thrill of airports and flying. Its Boston location will relieve Logan International Airport of the majority of its small airline services, as well as its commuter, corporate and charter flights. The design approach is based in studies of place, perception, and phenomenology; revealing the unseen facets of airports in engaging ways; and creating a positive and memorable impact on its occupants. A heightened sense of interaction with, and awareness and perception of, one's body and environment foster the new positive experience of the passengers and the employees (as previously passive individuals) by engaging the body, its senses, and memories with the place that is the building and the site.
The terminal design is specific to Boston in its character, features spaces that are at the human scale, engaging and pleasing to the senses, soothing to the nerves and that exploit the fascinating simultaneous dualities of the airport as they continuously converge: that it is both transient and static, active and dormant, of the earth and the sky, and housing arrival and departure. Through the explorations of this thesis, the airport becomes a part of the journey, a place to explore, enjoy and spend time in without stress or aggravation, and is considered a prelude or a conclusion to the adventure and wonder of flight.
Committee: John Eliot Hancock MARCH (Committee Chair); Jeffrey Tilman PhD (Committee Member)
Subjects: Architecture