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Socially Engaged Art: Managing Nontraditional Curatorial Practice

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2013, Master of Arts, University of Akron, Theatre Arts-Arts Administration.
This paper analyzes socially engaged art and the institutions that produce it. A brief history of the practice and related practices such as participatory, performance, installation, and public art are discussed. Proposed guidelines are given for the production, marketing, and documentation of such projects. Organizations such as Creative Time and the Hammer Museum are used as examples for successful socially engaged art projects. This paper is meant to be used as a tool for arts administrators in developing social, interactive, and participatory projects at their own organizations.
Neil Sapienza, Mr. (Advisor)
Gediminas Gasparavicius, Dr. (Committee Member)
Durand Pope, Mr. (Committee Member)
51 p.

Recommended Citations

Citations

  • Haidet, R. (2013). Socially Engaged Art: Managing Nontraditional Curatorial Practice [Master's thesis, University of Akron]. OhioLINK Electronic Theses and Dissertations Center. http://rave.ohiolink.edu/etdc/view?acc_num=akron1374491330

    APA Style (7th edition)

  • Haidet, Roza. Socially Engaged Art: Managing Nontraditional Curatorial Practice. 2013. University of Akron, Master's thesis. OhioLINK Electronic Theses and Dissertations Center, http://rave.ohiolink.edu/etdc/view?acc_num=akron1374491330.

    MLA Style (8th edition)

  • Haidet, Roza. "Socially Engaged Art: Managing Nontraditional Curatorial Practice." Master's thesis, University of Akron, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=akron1374491330

    Chicago Manual of Style (17th edition)