Master of Music (MM), Bowling Green State University, 2017, Music Composition
Before dark, how distant the past is single-movement orchestral work lasting
approximately six minutes. Inspired by “Leaving Aleppo” from poet Peter Balakian's Ozone Journal, this piece reflects on history's influence on current events and the importance of memory in times of strife.
Cast in a through-composed form, Before dark is a programmatic work inspired by
the imagery in “Leaving Aleppo” with further meditation on Black Dog of Fate, Dr. Balakian's memoirs about his discovery of the Armenian Genocide and his grandmother's survival of the death marches that ended in Aleppo, Syria. Modern-day Aleppo is plagued with civil war and has received significant international attention for the destruction and displacement of its population. Before dark, how distant the past contemplates these conflicts and the implications of their relationship in global history.
The harmonic language of this piece is derived from the spectral analysis of a church bell found in Maaloula, Syria. The bell's most prominent overtones can be distilled into the hexachord, 6-45[25789B] along with the two quarter tones D quarter-flat and D quarter-sharp.
These eight pitches comprise the entirety of the piece's first half. The composition's other sections employ the octachord 8-12[25789AB1]. This set contains both 6-45 (the “bell” hexachord) and its z-relation, 6-23 as subsets. Interleaved with the octachordal material is aggressive descending material derived from a tone row resulting from the combination of 6-45 and 6-23; this aggregate expands with the addition of three quarter tones, D quarter-flat, D quarter-sharp, and E quarter-flat, to form a fifteen-note chord that marks the piece's climax before a short denouement.
Structurally, Before dark, how distant the past draws inspiration from the idea of descent; descending gestures feature prominently in the macro- and micro-scale. The macro-level features a large-scale registral descent; high register opening material stated in the glocke (open full item for complete abstract)
Committee: Elainie Lillios Dr. (Advisor); Mikel Kuehn Dr. (Committee Member)
Subjects: Composition; Fine Arts; Music