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ETD Abstract Container

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Haunted Detectives: The Mysteries of American Trauma

Hauser, Brian Russell
http://rave.ohiolink.edu/etdc/view?acc_num=osu1227020699

Abstract Details

2008, Doctor of Philosophy, Ohio State University, English.
In this dissertation, I investigate American motion picture narratives from the 1990s in which detectives encounter the supernatural. These narratives did not originate during this decade, but there were a remarkable number of them compared to previous periods. I argue that the supernatural is often analogous to personal, national, or cultural trauma. I further suggest that a detective investigating the supernatural stands in for the psychoanalyst, who studies and treats this trauma. I then trace the origins of the supernatural detective in history, as well as in British and American popular fiction. To begin, I discuss Tim Burton’s Sleepy Hollow (1999) as an example of a supernatural detective, who is himself traumatized but who also manages to solve the supernatural mystery in the eponymous village. That solution points to the obscured narrative of women’s rights in the early-American republic. Next, I suggest that spaces can be traumatized like people. I introduce the concept of the chronotope of the traumatized space, which I then apply to Shirley Jackson’s The Haunting of Hill House (1959) and its various film and television adaptations to argue that these influential haunted house tales have helped repress scientific research into the paranormal as a reputable field of inquiry and the paranormal researcher as an admirable calling. Next, the entire country of the United States is portrayed as a traumatized space in The X-Files, which presents its primary supernatural detective, Agent Fox Mulder, as an analyst of the state, exposing the national guilt concerning the treatment of Native Americans. Finally, I investigate several turn-of-the-millennium fake documentaries. I argue that in The Last Broadcast (1998), The Blair Witch Project (1999), and the novel House of Leaves (2000), rational investigators are more likely to meet impossible moments than they are to meet supernatural entities. These impossible moments reflect a growing desensitization to the slippage between televisual media and the world it represents. I conclude that the surprising prevalence of these narratives during the 1990s is due to a resonance between the mechanics of trauma and memory and the patterns of millennial thinking in the United States in the 1990s.
Jared Gardner (Advisor)
James Phelan (Committee Member)
Linda Mizejewski (Committee Member)
263 p.
American Literature; Motion Pictures
film studies; television studies; trauma studies; supernatural fiction; detective fiction; haunted houses; uncanny; fake documentary

Recommended Citations

Citations

  • Hauser, B. R. (2008). Haunted Detectives: The Mysteries of American Trauma [Doctoral dissertation, Ohio State University]. OhioLINK Electronic Theses and Dissertations Center. http://rave.ohiolink.edu/etdc/view?acc_num=osu1227020699

    APA Style (7th edition)

  • Hauser, Brian. Haunted Detectives: The Mysteries of American Trauma. 2008. Ohio State University, Doctoral dissertation. OhioLINK Electronic Theses and Dissertations Center, http://rave.ohiolink.edu/etdc/view?acc_num=osu1227020699.

    MLA Style (8th edition)

  • Hauser, Brian. "Haunted Detectives: The Mysteries of American Trauma." Doctoral dissertation, Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=osu1227020699

    Chicago Manual of Style (17th edition)

osu1227020699
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© 2008, all rights reserved.
This open access ETD is published by The Ohio State University and OhioLINK.
Release 3.2.12