▼ This thesis explores the spectacle of the anonymous and internationally famous artist Banksy by addressing the rhetorical situation surrounding his street art performances. The mysterious, satirical individual frustrates and enchants audiences from a marginalized aesthetic form of communication while challenging cultural institutions and social doctrines. The author demonstrates how, denied information about Banksy’s identity, the press and the public thrust one upon him. Additionally, Westendorf argues that these readings of the artist and of his communication artifacts have produced a brand identity for Banksy that aligns with the mythic trickster figure. Advisors/Committee Members: Lee, Judith.